Movies

The filmmaker Friedl vom Gröller films herself and her colleague, the filmmaker Christiana Perschon. A projector casts images from an earlier...

What goes missing in a time when mouths are covered by masks? At the beginning you see a set of replacement teeth. This still life opens the film,...

A wink to the reaper that awaits us all, smile on the lips.

The setting of the film was simple and straightforward: the now 77-year-old Friedl vom Gröller asks a (homosexual) escort to do a nude film...

“This unwavering attitude as well as his decision to develop his own film style under and with financially difficult circumstances are the...

A young woman's body becomes the medium for the viewer’s projections of the stories and biographies that are imagined about her.

The film virtually opens with a false lead, showing a poster for for Shiseido cosmetics – the kind of sign we are accustomed to seeing in...

A young woman sits on a bench in a baroque park. The motion of the wind in the leaves, in her hair, and also the flutter of her eyelashes, the...

Friedl vom Gröller doesn’t give Christiana Perschon an interview. She gives her more: the film of a brief encounter, which in its...

NEC SPE, NEC METU follows upon Gutes Ende (Bliss) and Ich auch, auch, ich auch (Me too, too, me too), and it is the third film of Friedl vom...

Friedl vom Gröller's Poetry for Sale is a portrait of a young man peddling verse on the Paris metro. Reinforcing the antiquated nature of his...

A short film with music written by Kurt Weill and Bertolt Brecht.

A publication offering a selective retrospective of the work of photographer and filmmaker Friedl Kubelka – known as a filmmaker under the name...

The filming of my discomfort at being a woman between the ages of 60-70 in our society has the function of a valve. It is based on the...

An ongoing portrait of Max Turnheim that begun in 2002 when he was 20 years old.

In a series of films made in the 1990s Friedl Kubelka introduced a new element: her participation in the film by interacting with the subject. These...

A bowl on the ground. The fallen leaves around it reference autumn. A letter enters the frame—aged hands tear it up, and its pieces fall into...

In Maya Deren’s AT LAND, each vision of a foot hitting the ground took us into a new space via the magic of montage. DAS RAD works a similar...

A pan along a gallery of large washing machines in a laundromat. Two women speak sign language and a third feeds coins into the machine. Language is...

Filmmakers love shooting through windows, the various lockdowns were proof of that. Friedl vom Gröller, however, decided with typical...