Movies
- 2022
Dreams have no titles
Dreams have no titles02022HD
Part of Zineb Sedira's art installation for the French Pavilion at the 59th Venice Biennale. A piece where Sedira explores her passion for the...
- 2019
mise-en-scène (scene 1) is part of Standing Here Wondering Which Way to Go
mise-en-scène (scene 1) is part of Standing Here Wondering Which Way to Go02019HD
Between the 1960s and the late 1980s, the Algerian film industry flourished in an anti-colonial environment, giving rise to a nation of politically...
- 2001
Don't Do To Her What You Did To Me
Don't Do To Her What You Did To Me52001HD
"One sees a close-up shot of a glass being filled with water. Bubbles are formed but slowly the water regains its still quality. The glass then acts...
- 2016
Tracer un territoire
Tracer un territoire02016HD
Is it legitimate to want to define the limits of a territory, or does this amount to removing them from the only domain where they can become...
- 2014
Guiding Light
Guiding Light02014HD
The piece explores the cultural crossovers, the geo-political area as a continual interweaving of cultural roots and historical routes. The seascape...
- 2003
Retelling Histories
Retelling Histories02003HD
Sedira and her mother have a conversation in their respective mother tongues; French and Arabic, respectively, about her mother's and other women's...
- 1970
Lighthouse in the Sea of Time I
Lighthouse in the Sea of Time I01970HD
A four-screen video projection exploring three old lighthouses and their keepers.
- 1995
Scream of Liberation
Scream of Liberation01995HD
[Overview Courtesy of Lux Online] In French this is called a 'Youyou', a sound made by women mainly to celebrates happy occasions but also was used...
- 1996
Autobiographical Patterns
Autobiographical Patterns01996HD
The video shows the artist almost obsessively writing an autobiographical text in French onto her own hand, until the repeated overlays of words come...
- 2000
Silent Sight
Silent Sight02000HD
A video installation where the camera brackets a woman’s eyes so that they inhabit the entire field of view.